Why value-free education is impossible

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In How to Raise a Wild Child, Scott D. Sampson writes:

beauty, truth, and goodness are all essential aspects of learning and education. Value-free education is impossible.

It's occurred to me recently that I haven't done a good job explaining that what we're trying to do with our network of schools isn't just to teach kids more things. It's not just to make them smarter and more skilled, better prepared for the needs of the 21st century.

Our goal, rather, is to cultivate a certain kind of person

Though he comes from a very different tradition, the Protestant theologian James K. A. Smith (in his jaw-dropping book Desiring the Kingdom) writes something intriguingly similar:

I’ve been suggesting that education is not primarily a heady project concerned with providing information;

rather, education is most fundamentally a matter of formation, a task of shaping and creating a certain kind of people.

How do we "shape a certain kind of people"? By helping them think more wisely about the good life — and helping them experience pieces of the good life while they're at our schools. James K. A. Smith again:

What makes them a distinctive kind of people is what they love or desire — what they envision as “the good life” or the ideal picture of human flourishing.

So, to bring together this insight with our core values:

Our schools aren't merely trying to teach kids better. We're striving to cultivate a certain sort of people — Renaissance men and women, who find all aspects of the world fascinating, relish developing mastery in all manner of fields, and work to construct lives of purpose and meaning.

How can we help kids FALL IN LOVE with an ecosystem?

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Let's assume that our new kind of school can achieve what I set out yesterday, in "Make Naturalists, Not Biologists": get kids learning about and loving nature through mucking about in it. How can we do that? How can we cultivate a love of the natural world?

Scott Sampson — whose powerful How to Raise a Wild Child: The Art and Science of Falling in Love with Nature I've been riffing on lately — argues that local places can help us.

He suggests that there may be something deep in human nature that helps us fall in love with specific places.

Sampsons suggests a "topophilia hypothesis".


He's riffing himself off of E. O. Wilson's biophilia hypothesis — that humans have an instinctive urge to affiliate with other forms of life. (For how we've responded to that, see our curriculum of animals and plants in the classroom.)

Sampson's idea, though, is a bit more specific. He starts by tracing the roots of the word:

In 1947, poet W. H. Auden coined a similar word, topophilia — literally, a "love of place" — to refer to the affective bonds that people often form with the places they live....

I decided to borrow this neologism to put forth a new idea, the topophilia hypothesis, which proposes that we humans possess an innate bias to bond with local life and landscape, inherited from our foraging forebearers.

Animals need to bond in order to survive: to food, to water, to members of the opposite sex, to anything that can protect them from predators, and so on. Animals are bonding machines, and each species needs to bond to somewhat different things.

What did humans need to bond to, throughout our evolutionary maturation?

Among other things: the particular ecosystems they were living in. 


Now, humans aren't koala bears: we're not just native to one specific ecosystem. So humans would need a general-purpose ecosystem bonding system: a drive that works something like "whatever the environment around you, pay attention to it. Be curious about it. Be prepared to develop affection for it!"

Sampson again:

I've proposed that topophilia evolved to help humans adapt to a diverse range of settings, each with its own unique suite of life forms and landforms.

Humans who bonded to the place of their childhoods — be they a savanna, desert, rainforest, or whatever — tended to understand it better, and hence tended to survive more.


This is, note, only a hypothesis. It's entirely possible that the lust we see for specific places doesn't come from a specific evolutionary source, but has arisen for other reasons. (We must, as always, be on guard against just-so stories.)

But what seems undeniable is that

a deep passion for local place often develops, particularly among those living in oral, indigenous cultures.... Our body, mind, and senses are "designed" to connect with nature.

Humans are designed to connect with specific natural environments.

A school for humans can make good use of that.


But how?

Here an idea from the Imaginative Education community can come to the rescue: Whole-School Projects.

And about that, more anon!

Make naturalists, not biologists.

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A new kind of school — our new kind of school — is attempting to provide a fuller, deeper science curriculum than any school has ever achieved. Today — following my series of riffs off of Scott D. Sampson's powerful book, How to Raise a Wild Child: The Art and Science of Falling in Love with Nature — I'd like to suggest that, to do this, we shouldn't try to make biologists — we should try to make naturalists.

What's the difference, you ask?

It's subtle, but exciting.


Sampson talks about how scientists and explorers adopted the moniker "naturalist" in the 18th and 19th centuries. Charles Darwin called himself a naturalist. So did Thomas Jefferson! And in the 1870s and '80s, so did a whole host of Americans.

Nature fever overtook the general public, resulting in hundreds of small natural history associations from coast to coast.

This wave of excitement brought us our great natural history museums (including the Milwaukee Public Museum, which I loved as a boy).

But, by and by, people started spending more time indoors, and the scientific field became professionalized. A new field — "biology" — was defined, focusing

on genes and molecules rather than whole organisms.

The professionals wanted (quite understandably) to differentiate themselves from the masses. And they had reason to, because the sorts of research they conducted was quite different:

Field observations, the bread and butter of natural historians, were replaced by replicable experiments conducted in sterile laboratories.

Ultimately, the word "naturalist" itself faded. Sampson laments:

By the time I began exploring that forest on Vancouver's west side in the mid-1960s, natural history had become a quaint hobby for amateurs.

But, I think, in the death of "naturalist" lie the seeds of its renewal.


"Amateur": an interesting word!

The New Oxford American Dictionary gives one definition of amateur:

"a person considered contemptibly inept at a particular activity"

It probably goes without saying, but: That's bad. We don't want that.

But there's something cool in the word. Remember that amateur comes from the Latin amare: "to love".

Amateurs are lovers.

A new kind of school — an actual new kind of school, that pushes beyond the tired educational debates of the 20th century — needs to be a school for lovers, even before it needs to be a school for mastery or a school for meaning.

And so, I suggest, we need to reclaim the word "amateur".

The good people at the podcast A Way with Words summarize the difference between "naturalist" and "biologist" quite nicely —

"Naturalist" connotes "muddy boots". "Biologist" connotes "crisp, clean lab coat".

You think "naturalist", and you think tromping in the muck. You think "biologist", and you think holding a tenured chair.

In the last few decades, people have valued chairs over boots.


Well: "naturalist" is coming back. It's being reclaimed by scientists — most notably E. O. Wilson — who see the need to reconnect people to the natural world.

Now, ain't nothing wrong with lab coats. And ain't nothing wrong with tenured chairs!

Ain't nothing wrong, that is, with learning about the natural world through carefully-controlled experiments conducted in sterile labs.

Our society needs (desperately!) more of that sort of science. And we need to do some of it in our schools, too.

But it's not where we need to start.

So, let's be clear on this: A new kind of school needs to do science in the muck. A new kind of school needs to bring back actual experiences — oftentimes messy, occasionally dangerous — into science. A new kind of school needs to reclaim the mantle of amateur science.

Sampson writes:

We're closer than you might think to rebuilding a country of naturalists.

A school for humans needs to be a school for naturalists. And that's one of the things, I'm proud to say, we're doing!

Trees in the classroom? The case for greenery EVERYWHERE.

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Why obsess about re-wilding schools? Because nature make kids better. Again, from the the fantastic book How to Raise a Wild Child: The Art and Science of Falling in Love with Nature, by the paleontologist Scott D. Sampson:

Plants are good for you, too.... Even a few trees can make a real difference. A remarkable set of studies looked at the effects of trees on residents of two high-rise housing complexes in a low-income Chicago neighborhood. 

Compared with residents whose building was surrounded by barren ground, those living in a building with a vew of stands of trees enjoyed substantially lower levels of agression, violence, and reported crime, along with increased effectiveness managing life issues. 

Greenery makes a difference. Being around trees, grasses, and shrubs makes us feel more at ease.

The benefits have been shown in kids, too: Sampson cites a study demonstrating reduced stress, reduced depression, improved concentration, and improved problem-solving skills.

These are, of course, the goals of nearly any school, especially of the traditionalist variety!

There's more! Sampsons continues:

Additional kid bonuses arising from nature interactions include greatly reduced symptoms of attention deficit hyperactivity disorder (ADHD), improved social interactions, a heightened ability to combat sickness, and a reduction or elimination of bullying. 

Greenery, then, could help a school achieve progressivist schools!

And, finally:

Compared to kids confined indoors, children who regularly play in nature show heightened motor control — including balance, coordination, and agility.

They tend to engage more in imaginative and creative play, which in turn fosters language, abstract reasoning, and problem-solving skills, together with a sense of wonder....

Play in outdoor settings also exceeds indoor alternatives in fostering cognitive, emotional, and moral development. 

Holy aboriculture, Batman! These are many of our highest goals in starting a new kind of school!

So: filling and surrounding a school with nature seems likely to help us create schools for human flourishing. (Almost makes you think we weren't designed to spend our time in cinder-block rooms lit by flourescent lights, eh?)

But the question still remains: how can we do it?

Stay tuned.

"Man, I know TWO LINES to every song."

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How cool would it be to know the full lyrics to every song?  I was sitting at a café a month ago, one table over from two people playing poker. (Poker-playing is, by the way, unusual for the cafés I frequent, so this was sort of neat.)

Out of nowhere, both players started singing the chorus from Kenny Roger's "The Gambler":

You've got to know when to hold 'em Know when to fold 'em Know when to walk away...

They smiled. They laughed!

And then they paused. 

One of them continued, haltingly:

Know when to... run? You never... Fun?

And then he exclaimed: "Man, I know two lines to every song!"

How cool would it be to know the full lyrics to every song? 


In fact, let's expand on that:

How powerful would it be to know the full lyrics to every song? How fulfilling and enriching? How much better would you be able to engage with the songwriter's intentions and worldview?

To carry around the collected wisdom of a dozen, even a hundred artists — and be able to draw upon them at any time. Anthropologists tell us that this is the norm in many "pre-literate" societies. It may be the historical par for the course.

Storing scores of songs inside us is our human birthright. 

And most of us let it lie fallow.

Our new kind of school can reverse that.


Poetry buffs often wax eloquent on the joys of memorizing poems. I entirely agree with them — I've committed maybe a dozen poems to heart, and would love to do more.

A new kind of school — a school the cultivates love, mastery, and meaning — will do well to induct kids into the joy of memorizing poetry.

Great songs deserve the same.

And that'll require specific effort.

Frequently-hilarious poet Billy Collins pens the following:

One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people’s heads as they listen in the car. You don’t have to memorize a Paul Simon song; it’s just in your head, and you can sing along.

With a poem, you have to will yourself to memorize it....

This process—going from deep familiarity to complete mastery—is a challenge and a great pleasure. In repeating different lines, your reading becomes more focused than you’ve ever had before. You become more sensitive to every consonant and vowel.

I agree with all of this, wholeheartedly — except the part where Collins says that memorizing pop song happens automatically.

Well, maybe Collins is able to store Simon and Garfunkel just by listening to 'em: I'm sure not! I've had to work hard to put "Sound of Silence" in my long-term memory.

I've written before about our schools' basic practice of experiencing a song a day. And I've written, too, about where we could get those songs from — and how we can channel this into having kids regularly create songs!

I'd like to add something today:

We should find ways to encourage kids to commit lyrics to their memories. 

I suspect we should never force this to be done to any song the students don't already love — we should only encourage they internalize lyrics to songs they already care about.

We should do something else, too — use this as a chance to teach kids how memory works. 

But I have to admit I don't have any strong sense of how we should do this.

Any thoughts?


(The full lines to "The Gambler", if anyone would like to save themselves a Googlin', are below. Thanks to azlyrics.com, and the great Kenny Rogers!)

On a warm summer's eve On a train bound for nowhere I met up with the gambler We were both too tired to sleep So we took turns a-starin' Out the window at the darkness The boredom overtook us, he began to speak

He said, "Son, I've made a life Out of readin' people's faces Knowin' what the cards were By the way they held their eyes So if you don't mind me sayin' I can see you're out of aces For a taste of your whiskey I'll give you some advice"

So I handed him my bottle And he drank down my last swallow Then he bummed a cigarette And asked me for a light And the night got deathly quiet And his faced lost all expression He said, "If you're gonna play the game, boy You gotta learn to play it right

You've got to know when to hold 'em Know when to fold 'em Know when to walk away Know when to run You never count your money When you're sittin' at the table There'll be time enough for countin' When the dealin's done

Every gambler knows That the secret to survivin' Is knowin' what to throw away And knowin' what to keep 'Cause every hand's a winner And every hand's a loser And the best that you can hope for Is to die in your sleep"

And when he finished speakin' He turned back toward the window Crushed out his cigarette And faded off to sleep And somewhere in the darkness The gambler he broke even And in his final words I found an ace that I could keep

You've got to know when to hold 'em Know when to fold 'em Know when to walk away And know when to run You never count your money When you're sittin' at the table There'll be time enough for countin' When the dealin's done

You've got to know when to hold 'em (When to hold 'em) Know when to fold 'em (When to fold 'em) Know when to walk away And know when to run You never count your money When you're sittin' at the table There'll be time enough for countin' When the dealin's done

You've got to know when to hold 'em Know when to fold 'em Know when to walk away And know when to run You never count your money When you're sittin' at the table There'll be time enough for countin' When the dealin's done

A school for humans?

Our schools seem stuck in an odd place. Our society has the fullest understanding of Life, the Universe, and Everything that any society has ever had. And we have the best understanding of learning!

But our practices of education are trapped in the past: mired in the educational wars of a century ago.


Our problem is even stranger than that. We have curriculum in abundance: our world spills over with compelling theories, intriguing mysteries, captivating discoveries, and profound art. We live amidst epic stories, and are confronted by pulse-quickening crises.

It seems as if it should be a cinch for our schools to regularly help form the greatest naturalists, philosophers, storytellers, mathematicians, musicians, chefs, theologians, poets, artists, and anthropologists that the world has seen.

It really seems, in short, that school should be experienced as a place that's interesting.

As the educational philosopher Kieran Egan has written:

We represent the world to children as mostly known and rather dull. The opposite is the case: we are surrounded by mystery, and what we know is fascinating.

It really seems like we ought to be able to do better — to make the best schools ever.

How might that be done?


This blog brings together ideas from some far-flung places —

  • A host of competing visions for school: Montessori and Waldorf schools, classical homeschooling, radical unschooling, progressive schools, and (perhaps most of all) Imaginative Education.
  • A plethora of extra-curricular learning: outdoor education, test-prep coaching, religious formation, and music lessons.
  • A miscellany of intellectual perspectives: evolutionary psychology, behavioral economics, the history of science and math, and oh so many other things!

We're looking at how we might re-invent every aspect of schooling —

  • Subjects like history, science, math, philosophy, art, foreign language, physical education, music, engineering, and economics.
  • All ages of education, from kindergarten to high school — and beyond.
  • The physical design of classrooms, the preparation of teachers, and the basic goals of education.
  • Our fundamental beliefs about what a child is, and how they learn.

Through all this, we're attempting to start schools that cultivate Renaissance men and women — students who are fascinated with all aspects of reality, who pursue mastery in diverse realms, and who build meaningful lives.

Schools for human flourishing?

Kids, it turns out, don't typically derive much happiness from school. Alert the media!

More seriously: can we reverse this? 

The evolutionary psychologist Peter Gray writes, in an article I linked to from yesterday's post:

A few years ago, Mihaly Csikszentmihalyi and Jeremy Hunter conducted a study of happiness and unhappiness in public school students, in 6th through 12th grades.

Each of the 828 participants, from 33 different schools in 12 different communities across the country, wore a special wristwatch for a week, which was programmed to provide a signal at random times between 7:30 am and 10:30 pm.

Whenever the signal went off participants filled out a questionnaire indicating where they were, what they were doing, and how happy or unhappy they were at the moment.

The lowest levels of happiness by far (surprise, surprise) occurred when children were at school, and the highest levels occurred when they were out of school and conversing or playing with friends.

Time spent with parents fell in the middle of the happiness-unhappiness range.

Average happiness increased on weekends, but then plummeted from late Sunday afternoon through the evening, in anticipation of the coming school week.

It's nice to have what we've all suspected quantified: kids (at least in middle and high school) don't much like school.

Can we reverse this?

For years, I've been nigh-obsessed with the positive psychology movement — the group of researchers who've been trying to understand not just how people get sick, but how they get well. 

These researchers are working to mend the world.

I've been a fan of positive psychology for years, reading scores of books, and re-vamping all of my thinking along its lines.

And one of my goals — one of my mostly secret goals — has been that, as we re-invent every aspect of the curriculum to cultivate love, mastery, and meaning, we can create schools that cultivate well-being.

That we can take a major dent out of human suffering.

That we can create schools for human flourishing. 

I've written a little about that in the past, but I've been holding back on talking about it lately. To aim for well-being seemed too grand, too unachievable.

Well: nuts to that! 

I'm launching a class on human well-being this Friday, and so will be swimming in positive psychology for the next eight months. As we move on, I'll be incorporating more positive psychology into what I write here —

look for it!

Can schools reverse the "indoor migration"?

Suddenly, kids are spending nearly all of their time indoors — a wrenching historical change. In the last generation, Scott D. Sampson writes in How to Raise a Wild Child: The Art and Science of Falling in Love with Nature, our society has witnessed an "indoor migration":

One study found that the average American boy or girl spends four to seven minutes a day outdoors....

By comparison, those same average American kids devote more than seven hours daily to staring at screens, replacing reality with virtual alternatives. Most boys rack up more than 10,000 gaming hours before age twenty-one....

The net result of these staggering statistics is what author Robert Michael Pyle has dubbed "the extinction of experience," highlighted by the gaping chasm between children and nature.

Ho boy.

I struggle not to be anti-screen in a simplistic, knee-jerk sort of way, but when I mull over the rising rates of depression among young adults, and the simultaneous lowering rates of outdoor play, it makes me nervous.

(I'm open, by the way, to any evidence suggesting that the two are not linked. Correlation ain't causation, and all that.)

Sampson suggests that this flight from nature isn't something that parents want. Quite the opposite, actually:

In the United States, 65 percent of respondents regarded this issue either as "very serious" or "extremely serious." Parents believe that developing a connection with nature is critical to a child's development. Among American parents, 82 percent regard time in nature to be "very important" to their children's development, second in priority only to reading.

What I take from this is the realization that there's a huge desire for ways to give kids real experiences in nature. There are other organizations who do this, of course — the Scouts come to mind! But because schools engage with childen five days a week, they seem to offer an even greater possibilities for reordering childhood to something more healthy.

So, our big question o' the week: how could a new kind of school regularly connect children with nature?

That's one of the riddles we're trying to unravel.

So far, our answers include bringing animals and plants into the classroom and cooking lunch together. We're also considering some manner of adventure playground. Though I haven't yet written about it here, we're also planning to engage in what Kieran Egan has dubbed "whole school projects" with a local natural site: a riverbed, for example, that we can regularly experience and intensively study for a number of years.

But let me raise this explicitly: how else can we do it?

How can a new kind of school lead the charge in re-connecting kids with nature?

End this educational war!

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In a previous post, I sketched out what may be the biggest brawl in education: the century-old Traditionalist/Progressivist war. I then promised that our schools will fix this.

How ridiculous of me!

But I'll stick to my guns, and show part of how our new kind of school can end this divide.


First, I'd like to distill everything I wrote before into two sentences:

Traditionalist education values getting old ideas into heads. Progressivist education values getting new ideas out of heads.

(Please forgive my oversimplification.)

Now, I've heard both Traditionalists and Progressivists deny that the other side has any legitimacy. I've heard partisans of each side argue that, don't worry, our way of doing school will accomplish both of these.

I've heard Traditionalists boast that students who stock up on knowledge will be capable of doing new things later in life. And I've heard Progressivists boast that students who get hands-on experience will become interested in old ideas later in life.

May I suggest that we be skeptical of all such boasts, and look at the real-world results?


If I were unafraid of being rude, I'd perhaps point out that some people educated in the Traditionalist manner end up being, well, bores! Bores well-stocked with trivia, perhaps, but not the sort of people who is able to take on exciting new projects, think critically, and help mend a world riven by complex, changing problems.

And if I were, well, drunk, I'd perhaps point out that some people educated in the Progressivist manner end up being fools! Fools who have a strong sense of self, perhaps, but not the sort of person able to take on exciting new projects, think critically, and help mend a world riven by complex, changing problems.

This isn't to say that Traditionalist and Progressivist education doesn't work — just that it doesn't always work, and that its proponents (quite understandably) don't seem willing to point this out.

But if we're going to forge a path beyond the Traditionalist/Progressivist wars, and give kids the sort of education that can help mend the world, then I think we need to look squarely at what's really going on.


So, having cast a plague on both these houses, how do I think our schools can move forward, and heal this divide?

How can we bring together the best of Traditionalist and Progressivist education?

One way: closely align receiving and doing. Join "taking in old ideas" and "pushing out new ideas" snugly together.

I'll write more about how we're already doing this in an upcoming post — and ask how we can do it better!

Announcing: the daily riff! (Also a bit of dinosaur trivia.)

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I'd like to announce that over the next few weeks, I'll be experimenting with something on this blog: a daily riff on some exciting thing I'm reading. Nothing long — just some short tiny ideas! Little bon mots.

First up: riffs on the fantastic book How to Raise a Wild Child: The Art and Science of Falling in Love with Natureby the paleontologist Scott D. Sampson.

If you're a dinosaur buff,you might recognize Sampson as being one of the world authorities on the late Cretaceous therapod Majungasaurus:

Majungasaurus

If you have kids, you might also recognize Dr. Sampson as the consultant to the Jim-Henson-Company-made Dinosaur Train show, on PBS:

Dinosaur train


Why these daily riffs?

Because it turns out explaining your life's work to others is hard.

I find, as an ADHD-type personality, that it's really easy to talk about new ideas. 

They're fresh! Well-defined! Exciting!

But talking about the big ideas behind our vision of school? The foundational ideas? The conclusions I reached a decade or more about?

Almost impossible.

These oldest, most important ideas have become the source code of my thinking: they've become almos invisible. They're powerful and rousing, but not in a zippity-doo-dah sort of way.

In order to explain our conception of what schooling can become, I've got to excavate these foundational ideas. And I think that riffing off of the formative books I've read over the years might be a good way to do it.


Anyhoo, enough of the navel-gazing! Look forward to a short post every weekday, in addition to the longer, more fresh-idea-bearing essays.

Finally: The spacing effect gets its due!

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Spaced repetition flashcards are my religion. Well: there's a problematically simple statement! (My actual religious views don't quite fit into a single, punchy sentence.) I'll put this a bit more straight-forwardly:

I have a collection of 5,972 flash cards. Each has been custom-made by me. Many of them are mind-changing quotes from various books and articles I've read:

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That was the front — I've chosen two words to replace with [...]. When I see the card, I'm prompted to recall the crucial words that have been taken out:

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I take the most exciting ideas from what I read, and put them into my personally-favorite spaced-repetition flashcard program  — Anki, which can be downloaded for free at ankiSRS.net.

There are lots of ordinary flashcard programs out there. Many of them are pretty flashy, and easy to use: I'm looking at you, Quizlet!

They're all terrible. Or at least they're all terrible when it comes to the core purpose of learning: integrating knowledge into your mind for the long-term. 

Spaced-repetition flashcard programs use the spacing effect (the link is to the Wikipedia page) to give you maximal memory with minimal reviews.

To simplify some complicated math: after the first time I see a flashcard, the program waits 10 minutes to show it to me again.

Then it waits 1 day. Then 3 days. Then 1 week. Then 3 weeks. Then 2 months. Then 6 months. Then 1.5 years. Then 4 years. Then 12 years.

With only a handful of reviews, I can secure anything I want to remember, forever.

And then (and here's the religion part!) each day, I review the cards that Anki tells me to review. Amazingly, this only takes 5–10 minutes — but that's enough for Anki to preserve every flashcard in my long-term memory.

I've been doing this nearly every day for six or seven years now.

It's part of my quest to cultivate genius in myself.

For years, I've been scratching my head as to why more people haven't heard of the spacing effect. And just this morning, the brilliant (and always-worth-reading) educational reporter Annie Murphy Paul, touched on the spacing effect in her newsletter, The Brilliant Report.


Now, sometimes when I tell people about this, they scrunch their foreheads: Why on Earth would you want to just memorize this information? they seem to be saying. (I know that, because sometimes they actually say that aloud!)

Well, I don't just want to "memorize" the stuff! That would be stupid. I use Anki to plant ideas in my mind. I use it to put every amazing idea I read into my long-term memory, where it can blend together with every other thing that I learn.

People sometimes refer to me as "creative". Well: this is one of the secrets to my creativity.

Justine Musk, author and former wife of entrepreneur Elon Musk, wrote that the secret to innovation is to combine different worlds of knowledge:

bring them together in a way that will introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before...

That's what Anki is for me: an orgy of ideas! (My apologies for, um, that metaphor.)


I have so much more to write about Anki, and about spaced repetition more generally. For now, I'll hold back, and just ask a few questions:

  • How could a spaced-repetition flashcard program infuse every aspect of the curriculum?
  • What would it mean if we could guarantee students that everything they want to remember, could be remembered forever (with minimal work)?
  • Is it possible for a new kind of school to regularly help students cultivate genius?

I've previously pursued a few of these ideas in a bit more depth on this blog — especially in my posts about planting ideas, and about using "Leitner boxes" (which are a sort of physical flashcard system that uses a rudimentary spacing effect — now in use at the Island Academy of Hilton Head!).

Why I'm in love with both a werewolf and a vampire (or: "Beyond the Traditionalist–Progressivist Divide")

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Like Twilight’s Bella Swan, I am desperately in love with a werewolf and a vampire. Well, metaphorically. Less metaphorically, I’m desperately in love with two totally opposing visions of schooling.

I’ve found this to be a problem, as:

  1. the people who champion each vision more or less hate each other, and
  2. when people try to combine these visions, everything explodes.

Let me explain.


A word of warning: It’s always hazardous to split a messy reality into two neat categories.

Hazardous: but irresistible!

I won’t make any hard-and-fast claims that the division I’m about to make perfectly describes reality. It does describe, however, how I’ve experienced school reform movements.

‘K.

‘Nuff said.


There are two basic visions for schooling.

On the one hand, there’s the traditionalist vision. Traditionalist-minded schools strive to get students to re-think the amazing things other people have thought before. These schools tend to focus on the liberal arts: students devour literature, memorize poetry, debate philosophy, and recap scientific discoveries.

On the other hand, there’s the progressive vision. Progressively-minded schools strive for something quite different: to help students have their own thoughts, ideas that no one has ever had before!

Let me illustrate!

On the wall of an traditionalist school, you might see a famous quote by the English poet and cultural critic Matthew Arnold. In person, Arnold was widely described as a frivolous and foppish, but his writings were full of icy seriousness. Arnold wrote that to mend society, schools must instruct students in:

the best which has been thought and said.

Walking into a progressive school, on the other hand, you might see a famous quote by the Swiss psychologist and philosopher Jean Piaget. Piaget wrote that to mend society, schools must unchain students from the past, and help them discover new things:

the principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.

(Thanks to Bob Hagin for reminding me of this quote at his blog!)

Examples, you say?

If you’ve seen The Dead Poets Society, The Emperor’s Club, or the Harry Potter films, you’ve seen Hollywood images of traditionalist schools.

And, come to think of it, if you’ve seen Dead Poet’s Society, you’ve also seen an image of the opposite: a progressively-minded classroom. (I don’t think I’m giving anything away when I say that the conflict of educational visions fuels the plot.)

Curiously, I couldn’t find any examples of full-on progressive schools in film — if you know of any, point me toward them, and I’ll update this post!

But of course this divide isn’t just a Hollywood phenomenon. In real life, classical schools (especially, I find, of the Christian variety) and great books colleges go to the nth degree to achieve the traditionalist vision. In a less extreme manner, the Common Core Standards and E.D. Hirsch’s Core Knowledge curriculum attempt to achieve the traditionalist vision.

On the other hand, the current anti-testing movement is animated by a progressive ideal. And at the extremes of the progressive ideal are free schools (such as Sudbury schools) and the unschooling movement.


These visions don’t play well together.

I’ve found that advocates of both visions tend to react to the other vision with horror and disgust. They’re befuddled that anyone would want to “do that” to children, and they malign each other:

“Traditionalist schools are just drill-and-kill.”

“Those hippie-dippie progressive schools don’t really teach anything.”

Now, there really are problems in each type of schooling. Sometimes traditionalist-minded schools really just amount to drill-and-kill! Sometimes progressively-minded teachers really don’t teach much of anything!

Well, you might be thinking, the solution is obvious: just combine the two. Let each bring its own genius to bear!

Take the best of both worlds!

Easier said than done.

At the end of the day, we’ve got to make choices as to what to put in a school day. Will we allocate time and resources to helping kids master old knowledge, or into helping them make new knowledge?

Kieran Egan has argued (in the second chapter of his thrilling The Future of Education: Reimagining Our Schools from the Ground Up) that these two ideals, in fact, pull against each other: that an attempt to pursue both tends to torpedo both.

His approach to schools — Imaginative Education — is an attempt to reframe the task of teaching so as to make this traditionalist–progressive war obsolete.

Our schools are attempting to do the same thing.

How are we pulling it off?

Stay tuned.

Why you should give your 2-year-old a hammer

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Yesterday, we went to an ADVENTURE PLAYGROUND! I first ran across the notion of an "adventure playground" in architect Christopher Alexander's watershed book, A Pattern Language. In it, he writes:

A castle, made of cartons, rocks, and old branches, by a group of children for themselves, is worth a thousand perfectly detailed, exactly finished castles made for them in a factory.

I think this strikes many of us as perfectly apt: our culture glorifies a certain DIY-ness among young children. We romanticize the good ol' days when kids were afforded more freedom than our helicopter-parenting age allows.

If you don't have time to make a fort when you're a kid, well, when do you have time to make a fort?

Alexander goes on:

Set up a playground for the children in each neighborhood. Not a highly finished playground, with asphalt and swings, but a place with raw materials of all kinds — nets, boxes, barrels, trees, ropes, simple tools, frames, grass, and water — where children can create and re-create playgrounds of their own.

Adventure playgrounds are rare in the United States: Wikipedia lists just five of them. Delightfully, one is 20 minutes from our apartment — oh, the perks of living around Seattle!

Here's what we found!


As we entered, our kids were given a box of tools (containing hammers and nails, screwdrivers and screws, tape measures, levels, etc.), and an optional safety goggles and hard hat:

Adventure playground 5

And then we entered what I can only describe as a magical shantytown: a grove filled with the zany forts and citadels constructed by successive waves of children.

At the summer's beginning, the grove was empty — kids and parents built up structures little by little over the three months. One of the only rules is that while you can add to what others have built, you can't tear anything down.

When you're two, there's something liberating about wielding a hammer:

Adventure playground 2

Even we parents got into the fun:

Adventure playground 3

I saw older kids adding more elaborately to the various structures. Near the end of our sojourn here, our 5-year-old decided to build something a bit more simple: a teeter-totter.

Adventure playground 4

Simple, but boy, was it deligthful!

He and I had a blast experimenting with gravity. I'd stand at one end, and he'd see if he could lift me off the ground — by jumping, by moving the fulcrum, by asking me to come in closer...

Now, we could talk about levers abstractly, using diagrams and algebraic variables:

Lever diagram

... but he's only five. (Well, he'd insist five and a half.) We can safely postpone those — right now, it's more important to get an embodied understanding of how levers work. Later, when he engages physics formulae, he'll do so with intuition on his side.


Other than early physics education, why are we so excited about pursuing having adventure playgrounds attached to our schools?

We could list a host of reasons:

  • developing skill with manual tools!
  • nurturing a maker's mindset!
  • getting that hard-won sense of personal awesomeness that comes from building something!

Today, though, I'd like to focus on what might be the most important reason of all: danger.

I'll state this plainly: kids need danger. 

Yesterday, at another corner of the park (far away from the adventure playground), Kristin fell into conversation with another mom —

Kristin: Good gravy isn't that adventure playground great?! Other mom: I don't know... it sounds a little dangerous. Kristin: Yes! Dangerous! Absolutely! That's the point!

Most American children, in the present era, don't experience much danger.

Obviously — this should go without saying, but it's the Internet, so one must be explicit — obviously, we don't want to plunge our beloved children into profound danger. We don't want them to lose limbs, poke out eyes, or have brain damage.

But I suggest we do want them to scrape their knuckles, bruise their butts, and occasionally thwack their thumbs with hammers.

Why?

Hannah Rosin explores this brilliantly in her 2014 Atlantic article, "The Overprotected Kid".

Ellen Sandseter, a professor of early-childhood education at Queen Maud University College in Trondheim, had just had her first child, and she watched as one by one the playgrounds in her neighborhood were transformed into sterile, boring places.

Sandseter had written her master’s dissertation on young teens and their need for sensation and risk; she’d noticed that if they couldn’t feed that desire in some socially acceptable way, some would turn to more-reckless behavior.

She wondered whether a similar dynamic might take hold among younger kids as playgrounds started to become safer and less interesting.

Humans seem born with an urge to experience danger. The strength of that urge seems to vary quite profoundly: I was a skittish kid; my son seems to crave peril. (My wife and I joke that our image of him at age 16 is on a dirt bike, holding a beer, at the top of a flight of stairs.) Vive la différence! 

If we don't experience a danger when we're young, some of us will seek it out.

If we don't provide a little danger, we're putting our kids at risk of greater danger. 

Rosin again:

In 2011, Sandseter published her results in a paper called “Children’s Risky Play From an Evolutionary Perspective: The Anti-Phobic Effects of Thrilling Experiences.”

Children, she concluded, have a sensory need to taste danger and excitement; this doesn’t mean that what they do has to actually be dangerous, only that they feel they are taking a great risk. That scares them, but then they overcome the fear.

That is: Children need fear to grow into fearless adults.

If we want our kids to mature safely, we should find opportunities for danger.

That adventure playgrounds allow children to moderate their own risk seems crucial. If a child is still skittish around heights, they can start by sticking to the ground, and engage heights gradually. If a child is worried about thwacking their hand, they can start by avoiding hammers altogether, and try hammering only when they're ready.

Small, repeated exposures to risk, directed by the children themselves, can lead to being comfortable with real life.

Rosin looks at some of the details Sandseter found:

In the paper, Sandseter identifies six kinds of risky play:

  1. Exploring heights, or getting the “bird’s perspective,” as she calls it—“high enough to evoke the sensation of fear.”
  2. Handling dangerous tools — using sharp scissors or knives, or heavy hammers that at first seem unmanageable but that kids learn to master.
  3. Being near dangerous elements — playing near vast bodies of water, or near a fire, so kids are aware that there is danger nearby.
  4. Rough-and-tumble play — wrestling, play-fighting — so kids learn to negotiate aggression and cooperation.
  5. Speed — cycling or skiing at a pace that feels too fast.
  6. Exploring on one’s own.

This last one Sandseter describes as “the most important for the children.” She told me, “When they are left alone and can take full responsibility for their actions, and the consequences of their decisions, it’s a thrilling experience.”


There's so much more to talk about with this issue: how would we handle bigger safety concerns in a school-run adventure playground? How do we handle the ever-present threat of litigation? How can this interact with our desire to reduce levels of depression and anxiety in young adults?

If you'd like to probe our thoughts about those (or other) questions, shoot me an e-mail!

But I'll end by stating the basics: that we're making schools for humans means a lot of things, but foremost among them is that we're redesigning schools to match with the obvious facts about what students are. And so we want to bring adventure playgrounds into the school experience. Because:

Risk can lead to well-being. Danger can lead to flourishing.


My thanks to the wonderful crew working at the Mercer Island Adventure Playground — and to the city of Mercer Island for making this happen!

Adventure playground 6

What does a school for humans ACTUALLY LOOK LIKE?

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For years, we've been talking about schools for humans in the "subjunctive mood":If a school did this, then... We suggest that schools do this, because...

But as of three weeks ago, we're in business! We've helped launch the Island Academy of Hilton Head, a K–8 school off the coast of South Carolina. It's headed by Lee Rottweilor, the brave, daring, and bold onetime contributor to this blog.

So what can a school for humans actually look like? Now we get to find out!

Lee's been sending out regular e-mails to students' families to keep them abreast of the wonderful things their kids are up to. The letters give a taste of what life can be like in a school for humans.

Wednesday's e-mail, I think, is worth quoting here in its entirety!


From Lee Rottweilor 8 September 2015

Hi, all!

Today was filled with writing life stories and analytical book reviews; math explorations; discovery, collection, and release into our aquarium of some tadpoles; Greek Gods!, and dis-assembly of a vacuum.
A moment of reflection and explanation about the vacuum dis-assembly:
First, we posed a simple question: how does a vacuum suck dirt off the floor? Then, we discussed what a hypothesis is, and the kids wrote their own hypotheses explaining how vacuums suck.
I shared my hypothesis: there is a small gerbil inside the vacuum, and that small gerbil inhales air REALLY hard through a straw... his inhaling pulls dirt from the floor.
We then discussed something very critical about hypotheses... that they must be testable and that we must be able to describe test results that would, if present, disprove our hypothesis.
Then, the kids shared their ideas, and with their powers combined, decided that vacuums have motors that turn a fan that does the "opposite of pushing" air.
We decided that if we did not find a tiny gerbil inside the vacuum, Lee's hypothesis would not hold water. We also decided that we would need to find a motor and a fan inside the vacuum for the kids' hypothesis to survive our test.
We talked a bit about why none of them believed they would find a gerbil and why all of them believed they would find a motor...
Then, the kids went to work taking the vacuum apart!
First, the kids found their fan. Then, after more tinkering, they found what they think is the motor. They did not find a tiny gerbil :(
So, naturally, we asked more questions... how does the motor work? What powers it? Oh, electricity.... hmmm...how does electricity from the wall turn this copper and metal and plastic?
Perhaps that mystery will be uncovered next!

And that's just what they did on Wednesday.
Regular readers may note the presence here of a few curriculum elements first proposed on this blog: dissecting technology, personal math puzzles, animals in the classroom, and Big Spiral History. And woven throughout is serious question-posing and answer-hunting.
And this is just where they are, three weeks in!
Stay tuned for the sweet delights — and inevitable challenges — in store!

Religion, meet science. Science, religion!

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Last week, I wrote about how we're starting our first year of Big Spiral History. And boy, did I hear criticism from some of y'all on it! Yesterday, to explain the weirdness of our decision to open the history curriculum by telling multiple cultures' creation stories (the Norse, the Ojibwe, the Greek, the Hebrew, the Chinese, the West African, the Aboriginal, and the Mayan) right alongside the Big Bang account, I laid out our vision of our science curriculum.

To quote from yesterday:

We live in a society that has been built up by millennia of brilliant human discoveries. We’re in the midst of accelerating innovation, and are plunging into a future in which this innovation stands to harm us and to help us.

We can help children understand these discoveries, as if they were uncovering them for the first time. We can do so by tapping into our lust for vividly-told stories, and for solving riddles. 

But that doesn't address why we're putting religious stories next to scientific stories. And that, specifically, was what vexed many of you. I got more than one beautifully-written e-mail that ended up arguing, basically, this:

Science describes the world. Religion does something else. Don't mix them.

Or, as one friend put it:

Religion needs to stay out of science's living room, man. And science needs to stay out of religion's!

This, of course, sounds so wonderfully sensible!  I think it's also dangerous — one of the modern assumptions that we need to challenge, if we're going to cultivate Renaissance men and women in our schools.

We need to poke holes in all the disciplinary boundaries: religion, science, and everything else.

I recognize I may be wandering into treacherous waters, but I think I can convince you that this is the only way to go.

Let me explain.


In most schools, we ask students to swap out their brains every time the bell rings.

Going from math to literature? Forget all about those puzzles and algorithms you were toying with, and start thinking about novels!

Going from science to history? Banish all thoughts of observations and hypotheses, and get reading this first-person account of the Black Plague!

We tell kids: Don't think about now: think about y. Scoop out your brain, and plop in your one.

To many of us, this seems wrong, wrong, wrong. (And not just because of the "brain-scooping" metaphor!)

We understand that the world doesn't come in neat, pre-made categories. We want to find some way to connect the disciplines because, well, the world is a seamless whole. Chopping it up into "disciplines" (especially in grade school) seems to destroy what we want to study!

To quote the great educator and mathematician Alfred North Whitehead:

[We must] eradicate the fatal disconnection of subjects which kills the vitality of the modern curriculum.

Chopping up the world kills the excitement it can arouse. It's as if we've dismemebered the world, and are surprised to discover that something seems to be missing. Yes: it's dead!

We need to find a way to bring all the world together — math, the sciences, philosophy, literature, and so on.

Only by doing so will we get the meaningful education we want.


But: how can we bring the world together? Three steps, I think.

1. We put kids in contact with as many pieces of the world as possible.

This, in a nutshell, is why our new kind of school has so many hands-on, knowledge-rich curricula: our curriculum of making lunch together, of Learning in Depth, of animals and plants, of dissecting technology, of drawing realistically, of considering a song a day, of watching a movie a week, of tackling really confusing math puzzles, and of interviewing adults.

As Andrew Ng — brilliant founder of Google Brain and creator of the AI that can recognize cat photos — said in a recent interview:

I don't know how the human brain works, but it's almost magical: ...when you have enough inputs, new ideas start appearing.

2. We develop a culture of geeking out.

If we just put kids in contact with pieces of the world, we'd be in danger of just loading up kids with inert facts. It's not enough for them to know stuff: they have to find joy in knowing, and to make meaning out of what they learn.

Kids in our schools need to take pleasure in finding things out, in asking questions, and in searching for answers. We need to find opportunities to puzzle, to argue, and to celebrate breakthroughs!

Or, to put it simply: we need to develop a culture of geeking out.

(Sidenote: wouldn't it be amazing to have a feast in honor of one student's breakthrough?)

For more on how we're accomplishing this, see our Philosophy for Children approach, as well as our practices of book-eating, question-posing, and answer-hunting.

3. We find a way of seeing everything together — an über-lens. 

It would be great to develop a culture of geeks — people who knit the pieces of the world together in their own heads. If we just do that, however, we'll not be living up to our ultimate calling: to help kids see how the world is already knit together.

There's an old joke: guy goes to college to study psychology, and discovers that psychology is really biology. No problem, he says — and switches his major. But then he discovers that, alas, biology is really chemistry.  But he can take it! Again, he switches his major — only to discover that chemistry is really math.

(At this point, he just says nuts to it all, and majors in business.)


The Universe began as a single point, and the diversity of things we see (atoms, molecules, cells, minds, societies) blossomed out of it. Hence why our Big Spiral History curriculum begins at the beginning of the cosmos, rather than at, say, the dawn of human civilization.

This blossoming outward in the physical world is mirrored by a blossoming in the intellectual world. Human understanding began as myth. The people who first attempted to systematically understand the world (by most accounts, the ancient Greeks) didn't draw up lines dividing the pieces of the world — they dubbed themselves philosophers: "lovers of wisdom".

That is: academic understanding began as a single discipline — "philosophy" — and the diversity of academic fields (physics, chemistry, biology, psychology, sociology) blossomed out of it. 

This point is crucial: all of the academic disciplines grew out of philosophy. The first people who wrote about physics were philosophers; so were the first people who did chemistry. Biologists were called "natural philosophers" until the 1800s. Psychology and sociology didn't split off as their own disciplines until the late 1800s.

In our schools, we're repeating this blossoming.


Our species was born hearing stories of what the world is like. Likewise, each of us is born in stories.

Are those stories true? Perhaps, but perhaps not — it depends on which ones we hear!

Like the species as a whole, we each move from uncritically accepting the stories told by the people around us to a careful, systematic understanding.

As I wrote about yesterday, we can guide students to freshly experience humanity's the greatest breakthroughs. This is an opportunity — it's a gift!

But to do it, we need to be willing to help our kids think carefully about any idea that they bring into the classroom. We can't dismiss ideas simply because they've been dubbed "religious".

As the psychologist (and philosopher!) William James emphasized to his pupil Gertrude Stein:

never reject anything. Nothing has been proved. If you reject anything, that is the beginning of the end as an intellectual.

We want our schools to be vibrantly intellectual communities: we can't afford to exclude religious beliefs at the get-go.

My friend wrote:

Religion and science are baseball and tennis. Don't ask them to play on the same field.

Maybe! Or maybe not.

Maybe the world really is 6,000 years old. I want to be open to that possibility. Maybe the world is 13.7 billion years old! I want to be open to that, too. Maybe it's something else — maybe it's not "real" at all, but is just a projection inside a computer mainframe, created 15 minutes ago by a kid in an advanced civilization as a science fair project.

Maybe we're poised on the back of a turtle! Maybe we're in the midst of a cosmic tree, and Ragnorak is coming. Maybe a thousand other possibilities.

The point isn't to ignore evidence and reasons and remain open to all of these — not at all! (That would be intellectual death of another sort.)

The point is to begin open to anything, and then to feel the sheer joy of finding things out. 

To quote (again) my favorite line from educational theorist Kieran Egan, on whose thinking so much of our schools are based:

We represent the world to children as mostly known and rather dull.
The opposite is the case: we are surrounded by mystery, and what we know is fascinating.

So:

As we start our curriculum, we're less concerned with disciplinary boundaries than with the joy of finding things out. All knowledge — science, religion, math, and so on — begins in philosophy.

Which is to say, in this situation, at least:

Religion, meet science. Science, religion. It's been a while. We're going to have some fun together.

What can a science education be? (How stories and riddles can save the world.)

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Reactions to our last post fell squarely into two camps:

  1. Oh what a beautiful idea! I wish I could have gone to a school like this.
  2. WHAT THE HECK, GUYS?!

Dialoguing with friends in Camp #2 about our "creation of the world" curriculum has made me realize that I haven't done a good job explaining why we're approaching history, science, and religion in this unusual way.

And to be clear: what we're doing really is unusual! I'm not sure I know of any other school that's setting its goals for student understanding so high.

It's to the folk of Camp #2 that I dedicate this imaginary Q & A.

Question: Plopping creation stories next to the Big Bang narrative makes me uncomfortable! What are you guys even trying to do with this history curriculum of yours?

Three things, I think!

First, we're telling the history of science.

Why? Well, scientific understanding is an odd beast: in theory, it's timeless — Gregor Mendel's idea of genetic inheritance (to take one example) could have been figured out by anyone in the ancient world.

But in practice, scientific understanding is often bound up in politics, social realities, religion, economics, and a host of other things. And oftentimes scientific discoveries depend on earlier scientific discoveries.

Science has a history, an arc — one that intersects with everything. Science is part of the grand human story — something that can get lost in the traditional curriculum! Our Big Spiral History curriculum brings us back to the humanity of science.

(Lest you think that Big Spiral History is the only way we're approach science, remember that our schools are also cultivating a scientific mindset with a host of other practices — among them question-posing & answer-hunting, dissecting technology, cooking lunch together, bringing animals & plants into the classroom, realistic drawing, Learning in Depth, and location study.)


Second, not only are we teaching the history of scientific ideas — we're emerging ourselves in the epic, personal stories of scientific discovery. 

This, I think, is something that got completely left out of my previous post.

Archimedes' "bath" method of measuring volume? Yes. William Harvey's realization that the heart was a pump? Yes! Anton van Leeuwenhoek's discovery of the "wee beasties" in pond water? Ho yeah!

And dozens and dozens of other science stories, besides. Using the Imaginative Education methodology, we can teach these stories with more intellectual respectibility and more emotional heft than is hardly ever done. We can have one of the most vivid history of science curriculums of any school.

It’s easy for students to fall into the feeling that "science" is a series of immutable truths that spring, fully-formed, from the head of Zeus. And, in reality, "science" (in one sense of the word) is exactly that — it's the real world! What's true would be true, even if no humans were around to talk about it.

But "science" in the sense of "scientific understanding" is human-hatched notions — notions that compete and prevail based on how well they are able to make sense of evidence. Notions that sprang from the heads of often quite interesting men and women, whose back stories are fascinating.

So we're not just teaching history of scientific ideas — we're teaching the history of science through personal stories. Actually, this is currently quite a hot subject! Think Bill Bryson's bestselling A Short History of Nearly Everything, which chronicles the scientific breakthroughs of the last three hundred years. Think Neil DeGrasse Tyson's Cosmos TV series, which flips back and forth between CGI representations of scientific ideas, and animated narrations of the people who first cooked them up.

We can match the wonder and excitement and intellectual heft of those works. We can even surpass them — because of the third thing we're trying to do.


We're not just telling the history of scientific ideas, and we're not just telling that history through personal stories. We're using both of those as an opportunity to puzzle alongside. 

When you watch Cosmos, you're mostly along for the ride. Neil DeGrasse Tyson frequently asks questions of the audience, but I can't remember him waiting more than 15 seconds before giving us the answer. This isn't anything against Neil — it's a limitation of the medium of television.

But we're teachers, working with kids over the long term: we have access to all sorts of tools that television (and Khan Academy) don't. We can re-create experiments. We can prompt kids to explain phenomena that don't seem to make sense. And we don't have to tell them the answer after 15 seconds — we can sit in puzzlement with kids for minutes, hours, weeks! We can prompt them to expose their confusion, to ask questions, and to imagine what a resolution might look like.

A great teacher can do this — can make kids more confused than they'd ever be on their own!

And a great teacher can be a guide, too — giving clues, assigning students to ask their adults for their ideas.

This is part of what we're aiming for with our Philosophy for Children approach to literature, history, and everything. It's also part of why we're making question-posing and answer-hunting a staple of the week.


Here, in brief, is our vision for what a science education can be:

We live in a society that has been built up by millennia of brilliant human discoveries. We're in the midst of accelerating innovation, and are plunging into a future in which this innovation stands to harm us and to help us.

We can help children understand these discoveries, as if they were uncovering them for the first time. We can do so by tapping into our lust for vividly-told stories, and for solving riddles. 

Or, at least, that's part of our vision of what a science education can be.

Stay tuned for more.

How to teach evolution, creation, & the giant cow that licked the world into being

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Where does everything come from? This is how our new kind of school has started off our year of Big Spiral History: by telling stories about the creation of the world.

That's stories, plural. Whose stories, you ask? As many peoples' as possible!

In order: we're teaching the Norse story, the Greek story, the Hebrew story, and the Ojibwe story. That's our first week.

Norse cow

(This is, of course, the cow that emerged from the primordial ice to nourish the first of the frost giants. Y'know, the bad guys in Thor? It's a pretty generous cow.)

Then, we're telling the creation stories of the Chinese, the West Africans, the Maya, and the Aborigines. That's the second week!

And the third week, we're slowing down to tell just one creation story: that of the Big Bang, and the evolution of multicellular life, up through us humans.

Go ahead: ask why!

First off, we're beginning at the beginning: the dawn of Life, the Universe, and everything.

The way that history is typically begun in schools, we think, is foolish. I've criticized this before, but the long and short of it is this: in grade school, kids don't begin with the beginning. Rather, they begin with the close at hand: their own selves, their own neighborhoods, their own cities. They're plopped in the middle of reality, and are held back from looking at the big picture.

This approach is designed around an outmoded theory of children's reasoning — that they can only understand things that they've actually experienced. (How these old theorists would have explained children's lust for a certain movie series that begins A long time ago in a galaxy far, far away... — well, that I'd love to know!)

By the time the curriculum gets around to talking about any beginnings, it's already middle school. And the beginnings don't go back far at all — mine went back only to the Fertile Crescent. Fail! The Fertile Crescent was one particular origin of "civilization" — that is, city-centered state-level society — but not of humanity, in general.

And the origin of humanity? And of life? And of anything? Those are thought to be scientific questions, not historical ones. They're not part of the story of humanity — they're held apart in another class.

Which, of course, is ridiculous. Drawing a sharp delineation between "questions of history" and "questions of science" might have made sense two centuries ago, but at the start of the 21st century it's just foolishness.

The humanities and sciences have linked up, and we now possess an all-but-seamless narrative of all of cosmic history. This is the result of decades of daring acts of research — it's one of the great successes of human intellectual life!

Your atoms were forged in a supernova. The oxygen you just sucked in was breathed by Triceratops and Velociraptors. Life blooms, proliferates, and adapts. And you're part of it: your amazing qualities are the inheritance of millions and billions of years of biological experimentation.

But we don't let this paradigm shine in the curriculum. We don't use it to orient kids, and invite them to ask the big questions.

Instead, we bury it.

So the first reason we're doing this mad-rush through creation stories, is to follow the advice the King in Alice's Adventures in Wonderland:

Begin at the beginning, and go on.

It's only sensible.


We're beginning at the beginning: the Big Bang, and all that.

But why all the other creation narratives? 

(Note: this is contentious. Political, even! We Americans love to hate each other's views on this. And, according to various polls, we're about equally split — 50% think the universe is about 6,000 years old, and 50% think it's about two million times older. I'll be treading boldly into this fray — but I hope, also, politely and kindly.)

So why are we starting the year with multiple creation narratives? Well, a host of reasons, actually!

  • We want to introduce kids to the awesome mystery of where the Universe comes from. (Approaching this question from a multitude of previous attempts helps kids appreciate the mystery.)
  • We want to expose kids to a multiplicity of human cultures and their stories. (Think of each story as a hand-shake to a culture they'll be hearing more about later.)
  • We want to help kids see that stories matter — that where we think the world comes from can inform how we think about ourselves. (Stories — origin stories in particular — shape worldviews, and worldviews shape lives.)
  • We want to get kids used to the idea that differences of opinion are the norm, and that they can be fertile grounds for great conversations. (A disagreement is a great opportunity.)

In my mind, though, there's one great reason that we're starting by luxuriating in a multiplicity of creation stories: to make kids question our authority when we tell them something is true.

In our schools, truth is rarely — if ever — handed down on authority.

If people in the real world disagree about something, then it's not our job to pick a side and tell the kids to swallow it. Rather, our job is to expose kids to multiple viewpoints, and help them reason through them.

Perhaps I'm speaking too blithely here — perhaps I'm coming across as if I think our schools should champion every idea equally.

No — quite the contrary! What I'm saying is that our teaching shouldn't champion specific ideas at all.

What I'm saying is: science.

There is a world outside our heads. We can approach it through observing carefully, interpreting carefully, and concluding humbly — and then inviting criticism of our conclusions.

A shorthand for this: the scientific method.

We're starting our school by putting all creation stories on an equal footing. We're not ending there!

All of the above, I think, would be a bad approach if it were performed in a school that simply Delivered Answers. But ours is not — we pose questions, we hunt for answers, we practice science and philosophy continuously. We splay ideas on the wall; we sit in mysteries and slowly unravel them.

I'm not advocating this curriculum for most schools: I'm announcing it for ours.

Allowing the world's true diversity of hypotheses to be considered honestly sets an important standard: we are a kind of schooling that is willing to ask the big questions, and to help children form their answers thoughtfully. 

And it's hard to do this with just one story. Differences spawn productive thinking! But setting up just two stories leads to tribal warring — "you're either with us or against us!" What we need is a plurality of stories.


I'll pause here to acknowledge something obvious:

Some of our parents will be evolutionists who fear (quite legitimately) that the scientific narrative will be lost amidst the flush of other origin stories.

And others of our parents will be creationists who fear (quite legitimately) that the Genesis account will be lost, too.

I owe answers to both groups of parents. And here it might be useful to disclose my own origin story. I'm convinced the story of Darwinian evolution is true — but I didn't used to be — and the story of how I got from there to here is a bit unusual.


I grew up in an evangelical home, but my childhood intellectual life was shaped more by dinosaur books than it was by Sunday school. (I was a dinosaur fanatic. Still am, sorta!)

I only became a creationist in 8th grade, when my (public school) science teacher decided to transform our classroom into a courtroom, and to put the theory of evolution on trial.

He himself, I believe, supported evolution. And I think he thought the evolution side would come out as the obviously true one.

He picked me to lead the prosecution: to argue against Darwinian theory.

And, as a result of that, I became a creationist: not because I was indoctrinated into it, but because I became convinced of the evidence.

(Note: looking back on this, the evidence against evolution that I was looking at was really terrible stuff — since then, I've seen many creationists criticize it, and criticize fellow creationists who use it. The much-mocked "teach the controversy" idea, I think, really is fantastic — but only in an environment in which kids are helped to develop a B.S. detector. Our schools can do this — and, I think, are!)

After we finished the debate, I kept reading. (It really was interesting stuff!) And, slowly, my conviction that the world was made six thousand years ago faded. The arguments (even the better ones) really weren't that strong. When I looked deeply into them, they were convoluted and riddled with holes, and seemed to depend on giving lots of weight to oddball discoveries — for example, what might be a Mesozoic-era human footprint, if you squint just right.

The arguments for evolution, meanwhile, seemed straightforward and robust. Given what we knew of DNA (and math), it seemed impossible that evolution wouldn't happen. And the evidence was everywhere. I realized, at some point in my freshman year of high school, that the earth almost certainly was very, very, very old, and that natural selection was the best way of explaining the evidence — maybe the only way.

And so I became an evolutionist. 


I came to my conviction the old-fashioned way: through personal exploration, helped along by a community of people. (Though, in my case, the community was mostly people who wrote books, and who posted online.)

I think this is a much better way to become convinced of evolution. Why? What does it matter how one becomes convinced of some truth of the world?

One reason is that approaching truth through doubt and exploration made me humble in my beliefs. I recognize that I've changed my beliefs before; I'm likely to do so again!

I said a minute ago that I'm an "evolutionist". I hate that word: the -ist suffix makes it sound like evolution is something I "believe" in. I suppose I do, under certain definitions of "belief" — but what's wonderful is that I'd upend these "beliefs" in a heartbeat if I found good evidence to the contrary.

This is a better way to hold a "belief": humbly, and carefully. The strange thing is that such beliefs aren't weak: they're actually very strong and resilient. 


A second reason I think it's better to come to true beliefs through doubt and exploration: doing so allows you to see beliefs from the inside. And when you do, you see why people love them.

I don't think the Genesis story is true — but boy, do I love aspects of it!

Genesis paints a picture of original harmony — humans didn't slaughter animals; animals didn't even slaughter other animals! Pain and suffering weren't originally part of humanity — a state we can perhaps strive to reach again. And humans were designed to be careful stewards of the natural environment, not exploiters.

So often, in online debates, evolutionists portray creationists as stupid. What they fail to see is that creationism is a beautiful poem — one that can have wonderful implications for how we structure our society.

Our schools don't only seek to immerse kids in good scientific reasoning — they seek to make kids better at understanding all humanity.


Here's another reason I think it better to come to true beliefs through doubt and exploration: by doing this, I became acquainted with what in-depth understanding feels like.

Exploring creationism and evolution meant learning a lot of science — paleontology, biology, geology, and some chemistry and physics.

Even better, it meant appreciating what really is good evidence and good reasoning — and what only seems to be.

I'm a deeper knower now — a much more careful knower — than I would have been without this.

Sometimes, when I feel really passionately convinced of something else (say, some political idea), I'm able to reflect on how that feels different. It feels ungrounded.

I'm not saying, of course, that our schools should lead kids through false beliefs before they get to true ones. (What an effort that would take!)

And I'm not saying that in-depth understanding can only come from leading kids through wrong theories. (Our Learning in Depth curriculum in particular will also aim to develop this sort of understanding.)

I'm only saying that, when a student believes anything to be true without good reason, we should be delighted for the opportunity to patiently lead them through thinking about it. Because on the other side of that patient reasoning lies actual, hard-won wisdom.

This is part of what good teaching is. We should look for more opportunities to cultivate it in our curriculum.


So what can I say to parents who fear the scientific narrative will get crowded out? Just this: that it's only when the scientific narrative is placed amidst the earlier narratives that we can really appreciate what makes it wonderful.

And what can I say to parents who fear the Genesis narrative will be crowded out? Just this: that in most public and private schools, the Genesis narrative is entirely ignored. And in evangelical schools, it is believed woodenly and thoughtlessly (something many evangelical thinkers are critical of). Both of these approaches are tragedies. The Genesis narrative deserves to be taken seriously, both scientifically and poetically. And the role of teachers in our school is not to direct students to this or that belief, but to help them think carefully about all beliefs.


There are, maybe, two other reasons I'm happy to not only tell just the Big Bang story of creation by itself.

First, this doesn't result in accurate belief.

Last summer I went to a presentation by evolutionary scientist Steven Pinker. He talked about how about half of Americans don't believe in evolution. That's bad, he said. But there's something that's worse: that most of the people who say they believe in evolution don't actually understand what evolution is.

"Believers" in evolution tend to think it's goal-directed, Pinker said. That organisms are trying to evolve "upward".

What they actually believe in isn't natural selection — it's something that more closely resembles the medieval "Great Chain of Being".

If you want people to understand evolution, I suggest, help them try to attack it. Help them be skeptical. Help them construct their own understanding of it — and point out where things don't make sense.

Second, telling the Big Bang story by itself — in a culture that believes lots of things (from young-earth creationism to alien intervention) — sets up a very stupid sort of rebellion.

As a teacher, there's something that terrifies me about many of my high school students:

They're so prone to conspiracy theories. 

Aliens, Bigfoot, evil government cabals that encourage vaccinations to murder people and keep the population down — you name it, I've seen kids believe it — worse, zealously adhere to it, even in the face of obvious, overwhelming evidence to the contrary!

And why are they so difficult to convince otherwise? Well, many reasons, no doubt:

Conspiracy theories

But one big reason seems to be that they see themselves as the rebels. They're stuck in a framework that sees common sense as "dominant, corrupt opinion" and see anyone who departs from it as a freedom fighter.

"Hey, I'm just being skeptical", it seems like they're saying.

No, they're not. They're being the opposite of skeptical: they've picked an opinion, and are zealously clinging to it against evidence.

They haven't realized that being skeptical means, among other things, being skeptical of yourself. As physicist, samba-player, and all-around-amazing-human-being Richard Feynman said in a commencement address:

The first principle is that you must not fool yourself — and you are the easiest person to fool.

The way to teach evolution is to start by teaching it along with other stories, and to keep coming back to the question, "How would we know if any of these is true?"

And this turns out to also be a great way to get kids interested in many human cultures.

And to enjoy telling some awesome stories.


That's not it for our first few weeks of Big Spiral History — and it's certainly not it for teaching about the creation of the Universe (no, seriously — where does the Universe come from? what happened before the Big Bang?), nor about Darwinian evolution.

But this is a great place to pause, and seek out clarifying questions. Obviously, certain online communities can get pretty red in the face when it comes to talking about origins — I'm hoping that we can use a bit of that to help us fine-tune how we engage students in these questions.

One question on my mind: Is there a danger in our schools becoming too relativistic? What else would need to come later in the curriculum in order to avoid this?

A second question: does any of this run afoul of the church/state divide? Though we're starting this new kind of schooling with two private schools, we have our eye on eventually starting some charter schools. The church/state question isn't relevant for now, but it might be, later.

So, if you've got questions as to how, exactly, we're going to pull this off, please ask them! Join the conversation on our Facebook page. (And like us, to get updates!)

We're creating a civil community, and any posts that smell of dissing "the other side" will be deleted (ah, I'm sorry I even have to say that, but: the Internet!).

But every other piece of commentary will be appreciated, and considered!

The secret to boiling an egg (and mastering EVERYTHING ELSE)

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A remarkable fact about the world: how difficult it is to boil an egg. Perhaps you're thinking right now, "what, in the universe of cooking, could possibly be simpler? You plop the egg in the water, you set a timer, boil the water, and take out the egg! Violà! A hard-boiled egg!"

Oh, I too was once naïve!

For a few months now my daily breakfast has consisted of four hard-boiled eggs, and so I've had ample opportunity to get this right. And I do, sometimes — I cook the yolk to the perfect consistency, in a manner that leaves the shell uncracked yet easy to peel off the albumen.

Sometimes. But not always. 

It's surprisingly hard. Though: I'm getting better.

Making precisely the same food every day has made me recognize that there are so many factors, even in this, the world's simplest dish:

  • Do I bring the water to a boil first?
  • Should it be a low boil, or a high boil? Does it matter?
  • Should I do anything to the water? (Some swear by vinegar; others by salt.)
  • After I take it out, should I let the eggs cool in the air, or plunge them into cool water? Iced water?

Over the last few months I've varied each of these factors, experimenting around until I've found the nigh-perfect recipe. (Which is, in case you're interested, to place the eggs in the pot, fill it with hot tap water, shake in some salt, and set the stove on "medium/medium-high" for 11 minutes. Afterwards, I take the eggs out and juggle them into an old pickle jar filled with ice water. C'est magnifique!)

Why am I talking about this?

Because in my breakfast-hacking, there is a lesson that pertains to everything we do:

Mastery comes from cycles.

Try something, get feedback — make a small change. Repeat it, get feedback — make another small change. And again. And again. And again.

Philosopher Daniel Dennett writes about this eloquently in his answer to the question, "What scientific concept would improve everyone's cognitive toolkit?" I first read it in the book This Will Make You Smarter; it's also online here.

Dennett suggests that these cycles of repetition are at the heart of what makes the natural world complex and wonderful: the biochemical Krebs cycle, Darwinian evolution — even the gasoline engine.

And then Dennett goes to human skill:

At a completely different scale, our ancestors discovered the efficacy of cycles in one of the great advances of human prehistory: the role of repetition in manufacture. Take a stick and rub it with a stone and almost nothing happens — few scratches are the only visible sign of change. Rub it a hundred times and there is still nothing much to see. But rub it just so, for a few thousand times, and you can turn it into an uncannily straight arrow shaft. By the accumulation of imperceptible increments, the cyclical process creates something altogether new.

Dennett concludes his essay:

A good rule of thumb, then, when confronting the apparent magic of the world of life and mind is: look for the cycles that are doing all the hard work.

This is how skill is made: repetition with feedback.

As I've laid out earlier, one of the three major values of our type of school is mastery. A new kind of schooling needs to lay out for students the route to building expertise — in math, in writing, in thinking, in art, in everything. And we need to do more than lay it out — we need to help excite students to achieve it, and work to achieve it with them.

Every student, and every teacher, can make stirring advancement in a great number of fields.

Our schools can be talent workshops. 

And to do it, we need to set students at the task of lovingly crafting their work, seeking advice, and experimenting with small changes.

This is how to boil an egg, and master everything else.

Big Spiral History begins!

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Big Spiral History starts today! New to Big Spiral History (BSH)? Oh, let us explain it to you!

BSH is the framework we're using for our social studies curriculum. It's also the beating heart of our schools.

As the great Susan Wise Bauer says, "History is not a subject; history is the subject." History is the viewpoint that knits together all the other ideas and stories learned in school. It gives color and substance to everything.

If describing history class as all those things sounds weird to you, keep reading'.

The trouble (or a least trouble) with the traditional social studies curriculum is that it's not big enough.

Big Spiral History comes from my master's project, which proposed a brand-spanking-new scope and sequence to the K–12 social studies curriculum. Basically:

  • We study the whole diversity of human culture — not just America and Western Europe.
  • We study the whole of universal history — not just the modern age.

And instead of forgetting what we learn soon after we learn it (!), we loop back through all of history every four years — repeating some of the major stories from a new vantage point, and exploring details in more depth!

Through Big Spiral History, we hope to help kids achieve an understanding of life, the Universe, and everything — a perspective not even attempted in the traditional social studies framework.

This year, we'll be tackling the ancient world — from the beginning of the Universe to the time of Alexander the Great.

And to start off, we're spending a few weeks on the idea of "beginnings". This means we'll be plunging headlong into one of the hottest controversies in America — evolution vs. creation — and t'morrow I'd like to lay out why we're doing something so foolish — and how we're doing so.

Stay tuned.

In the meantime, if you'd like to see our past writings on Big Spiral History, take a look at our earlier posts on the fatal flaw in traditional social studies, one thing a new social studies should aspire to, the glories of spiraling, our basic framework (warning: it's weird!), and how to teach the past to grade schoolers.

Teaching writing through questions (and cupcakes!)

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Learning to ask useful questions is one of the most important things we can teach. Might I invite us to be skeptical of this claim? It has a certain "hippie-dippie" ring to it that makes even me dubious!

I've written before of our method of teaching question-posing and answer-hunting. We're spending significant time each day on this. Is it really worth it? After a year (or more) of being in a community that cultivates these skills, what might we hope for?

Well.

A former student of mine sent me an e-mail yesterday describing his experiences in a year-long seminar I led on happiness a while back. (A fun class! I'll be describing the newest version soon.)

He calls especial attention to how our class affected his writing ability — which is interesting, since I never had the students write more than one sentence a week.

Specifically, I had them write down a single question: what question they'd most enjoy posing to the class. When we got together, we compiled those questions, and simply voted on which ones we'd like to tackle first. (The person with the winning question got, erm, a cupcake.)

What follows is, of course, an anecdote — one student's experience. We shouldn't assume it'll be the norm, and we shouldn't let this distract us from systematic track of how all students experience question-posing and answer-hunting.

But: well, read it for yourself!

(I've taken the liberty of boldfacing certain words and phrases, to ease Internet reading.)


I've been hearing a bit about a new happiness class this fall. I'm starting school at UW in fall (and hopefully lab work), so sadly I don't know if I'll be able to come. But it reminded me of something that I've wanted to tell you for a while! Namely: happiness class taught me how to think and, by extension, how to write. For the longest time I could only write research reports, simple straightforward summaries of information in topical or chronological order. When it came to something more akin to an essay, taking a question or thesis and fleshing it out in my own words, I balked; I was so intimidated I gave up before I tried.

We didn't do any literal writing in happiness class, but we did read and, most importantly, we asked a lot of questions. Maybe I asked more than most because I was motivated by the pursuit of a certain cupcake. But the result was that I spent an hour or more a week wrestling with every word and idea of one book chapter, combing through to find the author's arguments so that I could challenge them or pose my own questions. To be able to defend your question at the meeting I had to flesh out the argument at least a little, and I found it wasn't so hard to talk about my own ideas after all.

Come the end of that year, I had to write a pretty long final essay for a class. Before I might've flinched at the thought, but I was ready. I skimmed an entire book first to get a feeling for the topic, and then I sat down and asked, "what questions can I ask about this?" And it worked! I built up an argument with an interesting question, a supporting sub-question, and a pretty fleshed out outline. It was the easiest essay I had written, and certainly the most fun. 

Now I can't get enough of writing commentary, media or literature analysis, mini-essays, and reflections.  I know I always had some thoughts, but until I had the practice, I didn't know how to talk about them. Furthermore, I didn't know how to conjure insight on-demand. And who can, consistently? But now I have a fighting chance. What's more, the way I see and think about the world has changed. As I've grown even more comfortable with the logic of writing and the structuring of arguments (which is of course at the heart of all thought), I feel like a new world has opened up to me. I can now enjoy, wrestle with, and experience a type of thought that, before, I couldn't.

Thank you, Brandon! I could say many other things about the quality of our discussions or the great books you exposed me to, but learning how to ask questions - learning, essentially, how to think (and thus write) - was the most precious gift.


So, to sum up:

By teaching question-posing, we're teaching thinking. And by teaching thinking, we're teaching writing.

(Thanks to the student in question for giving me permission to post his letter. Which, I'll note, is very well-written!)